The Unseen Seen: When film reels aren’t preserved perfectly, it makes them all the more interesting to photograph 《 看見看不見的 》展覽 :當電影膠卷保存不當時,變成照片顯得更有趣。 ( 此篇僅作為參考翻譯,若翻譯有誤煩請提醒。譯/岑竹) 原作者:Teddy Wilson | April 10, 2015 10:54 AM ET Courtesy of Reiner Riedler 35 mm Positive Print of "Ginger und Fred" (orig. Ginger e Fred), 1985, Dir. Federico Fellini, act 1 of 7 When photographer Reiner Riedler began shooting film reels and negatives, he veered away from capturing the content of movies, focusing his lens instead on the stories the reels themselves told. His creative playground, Berlin’s Deutsche Kinemathek film archive, housed hundreds of thousands of films spanning decades. When travel and archiving failed to preserve the reels perfectly, it was good news for Riedler. Rips, scratches and imperfections made the reels all the more interesting to photograph. His travelling exhibition, The Unseen Seen, opens at the TIFF Bell Lightbox this week as part o